Is mads mikkelsen gay

The tranlation is ok. But if you don’t trust my translation you can translate it by yourself. Here’s the original quote [x]:

Playboy: Interessieren Sie sich eigentlich für Mode? Mikkelsen: Ich mag die Sachen, die ich trage, aber ich kaufe keine Modezeitschriften. Playboy: Warum nicht? Mikkelsen: Ich   will   nicht   unhöflich   sein,   aber:   Die   meisten Männersachen werden von Frauen oder Schwulen entworfen. Damit kann ich mich nicht identifizieren. Die Modewelt ist für Männer nur schwer zugänglich.

And Mads didn’t speak wrong. He didn’t say that he is bad toward gays or does not like playing them. He just say that he don’t understand fashion [I mean we all know his hobo/adidas style, he’s not lie] created by women and gays because he’s not one of them. Nothing false with that.

About kissing a man in movies. He didn’t say he was ‘happy’ about that. But he tell ‘it was good’ or 'it feels good’, and we already knew he was totally ok with this from his interview about kissing Mikael Persbrandt. But it’s not contradicts to the quote from Playboy. He’s not lgbtq+ but he’s totally ok with them, have gay friends, gladly play them on screen. He’s normal modern guy w

Mads Mikkelsen urges caution when discussing JK Rowling gender controversy

Mads Mikkelsen has said people should be “very careful” they know what they are talking about when discussing the controversy surrounding JK Rowling’s views on gender.

Critics possess accused the Harry Potter composer of being transphobic, an allegation she strongly denies.

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Danish actor Mikkelsen, who plays evil wizard Gellert Grindelwald in the upcoming Fantastic Beasts movie, addressed the issue during an interview with GQ Hype.

He said: “People treat it a little flippantly, like, ‘Isn’t that a disgrace?’ And every time you ask somebody, you can’t really figure out what she said.

“But if the reaction is that crazy, we hold to be very careful that we know what we’re talking about.”

In June 2020, Rowling wrote an essay explaining how she was partly motivated to express about transgender issues because of her experience of domestic violence and sexual assault.

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Mikkelsen, 56, said he had not read the 5,000-word blog and was not familiar with her views.

He added: “I have a habit of not commenting on t

Continuing on my binge of Mads Mikkelsen films (see part one here) I’m going to be reviewing his roles in Blinkinde Lygter (Flickering Lights), Pusher I, and Nu. At this point my friends are probably going to consider I’m very cultured for watching so much Danish motion picture. I was a film student, after all, so it’s not that irrational for me, but rest assured my Danish film binge has to complete with Mads completely and entirely. But hey, exposure to good cinema is good regardless of how I came about it, no?  And let me tell ya, there are a lot of fabulous Mads Mikkelsen films out there.  Let’s initiate with a gem I wasn’t really expecting to favor as much as I did…

Blinkende Lygter

As far as physical appearances go, Arne is as far away from Hannibal Lecter that you can get. He’s grungy, kind of greasy, and he probably smells appreciate an ashtray.  His character also has some anger organization issues and at one point beats a man to the ground and jumps on him repeatedly. Hell, that’s his characters first scene, actually.  It’s a pretty great summation of his character.  His remedy to an engine that’s on fire? Shoot the engine. Friend shot through the gut and bleed

MADS MIKKELSEN, DEVIL IN THE FLESH

Impassivity and silence are Mads Mikkelsen's trademarks, and roles without reply his specialty. His sculptural allure is such that his mere presence takes on a dramatic dimension. For him, everything starts with the body. It's his main working tool, which he shapes and engages for each film. For the majority of earth audiences, the Danish performer remains associated with his "villain" characters in Hollywood blockbusters - Casino Royale, Doctor Strange, Hannibal, Fantastic Beasts...

 

Yet he finds with uncommon ease a even out between major American motion picture franchises and more unassuming, confidential independent films. If the actor manages to move from one world to another without entity stereotyped, it's because he has a very physical - thanks to his former career as a gymnast - and pragmatic approach to his art.

 

Film excerpts and contributions from prestigious directors will assist us draw a portrait of this singular star. Among them: Jan Kounen, who shot Coco Chanel and Igor Stravinsky with Mads Mikkelsen, Arnaud Des Pallières, with whom he shot Michael Kohlhaas, Thierry Frémaux, and var